Basic Premise of the Film: Mistaken identity in the racially charged South lead to the paring of a Homicide Detective and the local Police Chief in order to solve a the murder of a local citizen. Based on the book of the same name.
Okay, this was my first Sidney Poitier movie. All I knew about the man was that he was a phenomenal actor and a trailblazer at the time. This film was nothing short of one of the best suspense films I have ever seen. Yes, it was even better than my favorite suspense thus far on this – “All the Presidents Men.” The pacing was great, I never felt once that it was dragging. Let me point out real quick that, with the exception of “Modern Times” and “Sunrise” most of the movies I’ve been watching on this list have running times of two hours or more. There’s already been a few that have three hour run times – “Spartacus,” “Titanic” and “Ben-Hur” are the ones that I can recall right now. But, back to the movie. The story definitely encompassed things that were going on in the South. Racial tensions were high so no one cared to listed to Virgil about how to go about solving the case, even if he is the best Homicide Detective out where he’s from. He really only had the sheriff on his side – who also had his prejudices. Everyone else was telling to tread carefully lest he get himself killed — but let me stop there before I spoil something. Rod Steiger as the police chief was great as well. You can see him battling himself with having to work with a black man but at the end they come to an understanding and that’s what I really liked about the film overall. That respect they both had for each other. I guess you could say it was a happy ending. The director did a great job at keeping us guessing who the guilty party was so I was somewhat surprised at the climax. What I did notice is that there weren’t any bright colors, the film has dark coloring so I think that helped to keep me in the correct mood for the film. That mood being alert and on the edge of my seat. I will NEVER get over this one scene that involves slapping — Virgil was having none of it. That scene I would say was the only exception to the “dark” coloring I’m talking about because it was bright AF and I laughed so hard that I rewound that scene three times to watch it. Fun fact about that scene: it was a big deal at the time because the 1960’s was the time of the Civil Rights Movement and the fact a black man was reacting to being hit by a white man FOR NO REASON was very powerful stuff indeed.
Upon release, this film was a bit hit. I think that’s probably because of how real it portrayed how things were in the South. It didn’t try to sugarcoat it which is one of the reasons this film did so well awards wise. It won several Golden Globes and a couple of BAFTAs. Oscars wise it was honored with Best Picture, Screenplay and Best Actor for Steiger. I told my husband that the real travesty of the film had been the fact that Sidney didn’t even get nominated. I think he deserved a nomination. I usually look up a films accolades after I watch it so I had figured that Sidney would have been nominated for Best Actor and Steiger for Best Supporting Acting. Boy, was I wrong but okay, he did do pretty darn good in this film so good for him. The reason for this film’s longevity is because at a time where it didn’t seem possible or a good idea to do so, a black man was the strong protagonist of the film. At the time, that was just unheard of so it’s good that people not only got some life lessons thrown there they got a really good movie out of it.
When the list first came it wasn’t even ranked! Ooookay, but when it did make the list it debuted at 75. I think that’s a pretty solid debut. I think it might be some spots higher (I’d like to hope) but as long as it’s still floating in the 70’s, I’d totally be okay with that.
I viewed this film on a hosted site, CLICK HERE to watch. Didn’t even bother to see if it was streaming anywhere. Sorry guys, I’ll get back on that for those of you who are interested.
For fun today, here’s that scene with the slaps!